Crumbs: REVIEWS » Lost » Season 6 » Happily Ever After
Login/Register
68
/100

Lost

Lost is a drama about a group of plane crash survivors. They land on an unknown Pacific island and have to learn to live together. ABC 2004-2010

67
/100

Episode 11 - Happily Ever After

11 April 2010

Review

Present: Desmond wakes up and is furious to discover he is back on the island. Widmore straps him into a room and sets off a large electromagnetic charge. When Desmond wakes up, unharmed, he says he is ready to help Widmore in anyway he can. Sayid then kills the men guarding him and insists Desmond come with him.

Flashback: Desmond is a successful businessman in the employ of Charles Widmore who is deeply proud of him. Widmore asks him to babysit Charlie who has been hired to play music with Widmore's son at a charity event. Charlie claims he had a near death experience on Flight 815 where he felt the love of a woman he has never met. He crashes Desmond's car into the sea in an attempt to recapture that feeling. While rescuing him Desmond has a similar experience and once in an MRI machine at the hospital it happens again. Charlie escapes and Desmond has to go explain to Mrs Widmore why there will be no concert. Eloise Widmore is surprised to see Desmond and discourages him from looking into the name Penny. Her son Daniel Widmore then comes to explain to Desmond his theory that this isn't their life. Desmond meets Daniel's half-sister Penny and is convinced. He asks his driver George Minkowski to get him the names of his fellow passengers on Flight 815. He has something to show them.

The Good: Though I'm still hazy on the details, this episode does give us a new direction for the story in both timelines. He now knows about the flash sideways and is on a mission to do "something" about it.

Desmond being the man to cross boundaries of time and space is a role he had played for a long time and so he convinces in that part. He doesn't feel like a deus ex machina explanation to pull both times together, he feels like the right man for the job. They certainly give a scientificish explanation, by stating that his survival of the hatch implosion proves his unique resistance to electromagnetic forces. Once he is exposed to an MRI machine in the flash sideways he is again affected and begins to remember who he was. His grinning sense of self confidence at the end of the episode gives the viewer a sense of hope that he can be a hero and start pulling everyone together.

His flash sideways story (if I can call it that) was certainly fun to watch. It was more instantly compelling than any of the recent episodes because there was a sense that his actions would have immediate consequences. Once he got involved with the Widmore family tree I imagine most fans were doing mental arithmetic trying to work out who he was about to encounter. Seeing Widmore give him that glass of McCutcheon's, seeing George Minkowski not bleeding from the nose, seeing Penny running around that stadium and of course just having Daniel Farraday back were all pleasing touches. Desmond and Penny still have "it" as a couple. They just seem so genuinely into one another that they manage to carry the star crossed lovers' storyline where otherwise it might fail.

Putting him back together with Charlie was of course interesting to see though there was no time to take a breath and take in the emotion of that reunion (for viewers). Charlie's near death experience and attempt to recreate it were intriguing. Charlie's intransigence immediately questioned the idea that this universe was a happy ending for everyone. That was of course given a double underline once Eloise flashed recognition upon seeing Desmond.

On the island I liked Desmond smashing Widmore over the head; that seemed an entirely appropriate response to his kidnapping. His smiling acceptance of Sayid's assistance was also pretty intriguing. It seems to guarantee he will begin interacting with the other survivors and MIB which should be fascinating to see. We now know why Charlie told Jack that he should have let him die on the plane (601). It was also a nice moment to see Charles being so deeply ungrateful. Desmond had just been in a near fatal car crash and yet Charles began bitching about not getting what he wanted. That seemed consistent with all the "bad guys" being "bad" in the flash sideways. Some people just continue to make lousy choices.

The Bad: Overall I left this episode feeling slightly frustrated. It may be my own limitations coming through but I felt like I should be rooting for Desmond but wasn't sure how I could. Was he about to convince everyone in the flash sideways that they were in the wrong place? If so what was he going to say to the people on the island? Shouldn't he have asked Charles and Eloise (in separate worlds) more questions? I just wasn't sure if I was meant to have seen an answer in his behaviour that I didn't. For more on these questions see "The Unknown." But purely in terms of this episode I wasn't left feeling emotionally satisfied. I know the answers will come but in the moment I was left unsure if Desmond knew what he was doing and that was confusing.

The big logic leap came from Daniel Widmore though. He saw a woman (Charlotte) and felt strongly as if he was already in love with her. He woke up in the night and wrote down a bit of quantum mechanics and found out that it meant something along the lines of nuclear explosion will contain a catastrophic release of energy. From those that evidence he concludes that in another universe he set off a nuclear bomb which created this life. That's one hell of a logic jump. One that didn't even add much to the plot. Did that explanation really convince Desmond that his memories of Penny were more real? It was a very weak moment from writers who usually do a lot better.

Speaking of which the opening scenes had a similar problem. Charles  Widmore decides on a whim that he must put forward his dangerous experiment which could kill Desmond, the man he is banking on saving the world. First off let's just address that. If you really thought Desmond was your only chance of stopping evil incarnate (or whatever) from destroying the world why would you take any chances with his life? You wouldn't, it was storytelling expediency that made Widmore look like a moron. Then his incompetent team fried one of their colleagues. Fried him alive and carried his corpse out. I wasn't pleased with the amateurish mistake but it's sadly plausible. What is less plausible is that no one then refused to put Desmond in the box. Or wept for their fallen co-worker or generally did anything to acknowledge the horrible death which had just happened. You would think the guy who pulled the switch would have been beside himself. But no, they all shrugged it off and shoved Desmond inside for another go around. The writers really were lax on the details here. I appreciate that they were trying to show the dangers Desmond was in (as the bloody noses once did so effectively) but it made the characters look ridiculous.

The Unknown: So much. How does Eloise know what is going on again? She implies that in someway this world was "ordered" for its inhabitants. She claims Desmond has everything he wanted including Charles' approval. She thinks that somehow changing this "order" would be "a violation." A violation sounds like the breaking of a treaty or agreement. Is this Eloise the same Eloise from "our" timeline? Did she somehow strike a bargain to create this world?

If so when? And is this universe running concurrently with "our" timeline? Or is Desmond able to jump back and forth to exactly the right moments by coincidence? What is it Desmond needs to show the Oceanic Flight 815 passengers? It's not clear what Desmond thinks his goal or purpose is. By meeting Penny does he think he needs to show everyone what they might be missing in this universe? Or does he believe that the other timeline must be better if he and Charlie and Daniel all had great loves in that world?

The idea that love is the only thing which can affect these people enough to remember their original lives doesn't bother me too much. Such a strong emotion is about as plausible as anything else. But I suppose it weakens the special relationship that Desmond and Penny have to liken it so directly to Charlie and Claire's squabbles and Daniel's unrequited desires. It's certainly worth pointing out that Daniel and Charlie both died in "our" timeline. Does that have a bearing on your ability to discern the life you were supposed to have lived?

What sacrifice is Desmond going to be asked to make by Widmore? Is he envisaging another electromagnetic event which Desmond will need to initiate? Desmond fell unconscious in order to experience this other life for a while. At the end of the episode he returns to that world, presumably he isn't asleep in Sayid's arms. Is he able to be conscious in both?

Best Moment: Tough to choose, my head was spinning throughout trying to keep up with it all. Probably just Desmond and Penny grinning at one another. A chemistry that won't die.

The Bottom Line: Once more this season seems to have succeeded in putting too much doubt and mystery in its own path. Desmond's intervention may be the key turning point of the season but in the moment it left more questions and concerns. The episode was enjoyable by and large but two glaring plot holes didn't help its momentum.

Feedback

Add your comments on this episode below. They may be included in the weekly podcasts.

Post your comment

Comments

  • Wow Robin I had forgotten about Faraday's sudden revelations and can see why they annoyed you. It WAS quite a leap he made that a bomb had been set off. (I think I was just trying so hard to follow everything that by that point in the story, Desmond's part in it had already convinced me and this was just one too many complications!) Widmore's sudden urgency and amateurish team didn't annoy me as much as you, however. (I'll be more annoyed if this team receives too much airtime!) I assume Widmore has some good reason for rushing things--probably because he senses that MIB will cause iminent danger. However, you know what they say about assuming things? ;) As always is the case with Lost, a little line of dialogue could have gone a long way. Like you and others have commented, the over-complication made it difficult to engage emotionally, however I was engaged enough to consider it mostly successful.

    Posted by KC, 15/04/2010 4:09pm (2 years ago)

  • Yeah as I said to Mike below. Both incidents felt sloppy to me. But only in presentation. Neither should detract much from the overall story.

    It reminded me a little of Jack blowing up a tree to demonstrate his plan to kill the Others - despite how dumb it was to alert them to the sound of an explosion. It was a dumb scene but didn't ruin the story.

    Posted by The TV Critic, 12/04/2010 8:59pm (2 years ago)

  • really appreciate your take on it as usual, Robin. I agree in part, but I might have assigned a portion of the unhappy plot holes to the unknown category.

    I got the impression that the sloppy work with the Microwave of Doom is because the schedule had been abruptly changed and the scientists -- notably dismayed -- were told to abandon their original protocol. Initially, Widmore chastised Zoe for taking Jin "ahead of schedule." The next day he tells them that they have to push everything up by a day. What we don't know is whether all of this is being driven by his knowledge of what's happening on-island or off-island. Eloise was furious that Desmond was catching on, tried to stop his enlightenment, and referenced her own schedule: "You're not ready yet." That's why my bigger question is: are Widmore and Eloise working at cross purposes or are we just seeing events slightly out of sequence per usual?

    Widmore has always broken a lot of eggs in his pursuits, so he was acting consistently, albeit callously. He did make a point of lifting the sheet to give a long look at the face of the dead man before getting on with it. I chalked up the seeming lack of response from the onlookers to shock, although a few seconds of horrified looks and a brimming eye would have been better. We don't really know what the stakes are and what they all believe they're trying to prevent. Anyway, for better or for worse, I thought the reason for that part of the scene was more to demonstrate a sense of rush and panic (and to give reason for Desmond to freak out) than to make us fear for Desmond's survival.

    As far as your point about Faraday's conversation with Desmond, I gave up understanding Daniel long ago -- and never really warmed to his character. He has an odd manner, lives in his head, and has a difficult, elliptical way of expressing himself even in his expositional scenes. One always has the impression that he leaves out much more than he lets on because he just can't be bothered to waste his breath on people who won't understand anyway. If we never get more information about his sideways situation (as with Charlie and the reason for his angry behavior in LA X) then I totally agree that it was overly contrived. If we do, then it's fairly consistent with how his story is transmitted.

    Posted by Lynn, 12/04/2010 5:27pm (2 years ago)

  • Listening, I can tell that your uncertainty about Desmond's realization/plan was a more limiting factor, and I understand that (though it elicits more anticipation that confusion in me). Also, your point that, even if Daniel's realization is believable, its being persuasive to a Desmond who knows nothing of the reality it references is well-taken.

    Posted by Mike Drew, 12/04/2010 10:48am (2 years ago)

  • Hey Mike, thanks for elaborating, much appreciated. Neither incident bothers me in terms of the overall storyline. I'm happy to accept that the 2 Widmore men were very certain of their respective beliefs...

    Posted by The TV Critic, 12/04/2010 10:40am (2 years ago)

  • So... thought about calling in, but all i really had in mind were a couple of quibbles with the review, which i don't like taking up time with, as I fully respect robin's take on this show by now. I prefer to contribute more analytical stuff on a call rather than be a carping complainer about a score or things found wrong, and I was pretty happy with my comments below and those of others on that score, so I didn't call.

    ...but I don't have a problem registering a disagreement on the board, so here goes. I don't really disagree with the score at all, and really for the some of the same reasons. I'd probably just have put it a couple points higher myself. But i didn't find some of the problems listed here as problematic as Robin.

    On first viewing, i really didn't have a huge problem with the opening scene, except in this respect: the set-up of an evil scientist putting a guy in an electronic box and frying him prior to putting the hero in is really hackneyed - no doubt about it. Really, any big-box-toting mad-scientist-type villain is kind of patently trite, to be honest. (Somehow I tend to overlook such problems if they come at the very outset of a piece; I just tend to give writers leeway to start out however they want. Add it in part way through James-Bond style, though, and I just can't take it on.) But the problem with Widmore's wanting to fry Desmond when he needed him didn't occur to me the fist time through, though I do now see where it is a problem. I think why it didn't bother me was b/c Widmore just seemed so certain it fit his purposes. Maybe I thought if he knew he needed Desmond specifically for some special reason, then presumably he also knew Desmond was special in a way the box wouldn't kill him, but set some process in motion that Widmore wants.

    This points to something we often see in Lost, and maybe it is a valid criticism, but for some reason I find my hair standing on end the MOST at these moments -- some characters often seem to either inexplicably know more, or have some kind of preternatural sense about something, than we have reason to expect them to know. This has always given the show a feel of "deepness" to me, not in a philosophical sense, but in the sense that it suggests there are layers and connections below the surface that the viewer isn't privy to but gets glimpses of. I can see how that could be off-putting for viewers, and I can also see how one could see it as a cheaply-bought suspense ploy if the reasons for these characters' unexpected insight are never cleared up. But it has always worked for me.

    It definitely worked for me in the case of Daniel Widmore's realization about the bomb. Daniel has always been a sort of super-aware cypher on the show, and has had the most understanding of the overall "physical" situation in which everyone finds themselves. I didn't find it at all difficult to understand how he could then come to understand the underlying situation even after his previous consciousness had been obliterated by a branch-off reality. I really didn't find it a stretch that he would 'deduce' that he had caused ab atomic bomb to be detonated in the other reality, because i didn't think they were suggesting he did deduce it; rather that he realized, or even remembered it. It's clear to me the producers are beginning to break down the barriers between the worlds, and that they are using the Desmond-Daniel "constant" connection to do it. Their conversation seemed perfectly plausible if understood in that context and remembering the history of these two's experiences.

    Whoa, I guess I had more to say than I thought. Shoulda got this in by podcast time, my bad. Cheers 'til next time!

    Posted by Mike Drew, 12/04/2010 9:02am (2 years ago)

  • I can understand feeling confused or uneasy about an episode like this that doesn't exactly fit with the others we've seen so far this season.. but I loved it! It was a welcome break from the heavier themes of good vs. evil, science vs. faith, and a reminder of how the relationships in our lives are what is most important. I agree with Brando that the scene where Daniel blabbers on and suddenly knows everything was a bit contrived and probably a result of Lindeloff and Cuse running out of time. But, there were enough good moments in the ep for me to overlook that part. I personally had goosebumps all over when Charlie held up his hand to the car window- what a powerful scene. Overall, great episode to me, which (as someone else aptly put) means Robin will probably pan it!

    Posted by Clare M, 11/04/2010 7:03pm (2 years ago)

  • personally, I need to rewatch the episode and maybe even wait on further episodes to make sense of this one. I felt the bumbling scientist were bizarre, too and that part felt truly rushed. Still felt great watching it and can't believe the hour went by so quickly.
    My hope is that the fact that we have nearly 3 years of the flashsidways time to "catch up" with our current time line gives me hope that Desmond could see what haven't yet and realizes how to proceed from here for the best possible outcome. I predict he will outfox Widmore somehow.

    Posted by Yogabon, 10/04/2010 1:58am (2 years ago)

  • Great Scot! 'Twas a cracking show, brutha.

    It had all of the synergies that make for a first-rate Lost episode: good writing and confidence in the talents of actors to sell it; tightly woven callbacks from previous episodes; meta-plot reveals and twists that left my head smoking with possibilities; a rollicking pace; strong parallels and mirroring; wonderful chemistry between characters (Desmond/Penny, Desmond/Widmore, Desmond/Charlie); and emotional resonance galore.

    My major trepidation about this season has been alleviated. I didn’t want the sideways timeline to supplant the original one, such as would be the case if it were an on-going epilogue or something similar. We are invested in and emotionally connected to the trials and growth of the on-island characters -- tossing that aside would have been a slap. *Very relieved sigh.*

    I delight in seeing this long form narrative come to fruition, although it does require a sharp memory to understand it all. Seeing "Flashes Before Your Eyes" and "The Constant" again demonstrated that the groundwork was fully laid for this episode. (As well, I suspect a re-watch of the 6th season will be similar to a re-watch of the movie "The Sixth Sense," in that the clues were there all along but weren't understood until after the final reveal.) I don't know whether I would be more impressed that the writers knew exactly where they were going all along -- with obvious bumps and detours due to real-world variables -- or that they sat down midway with multitudes of hanging threads and carefully wove them into what we're watching now.

    A quibble: would it have made more sense to cast the character of Abbadon in the role of the sideways chauffeur? Perhaps they weren't able to recruit the actor and tweaked the part for George Minkowski.

    Major kudos: the direction and editing of the Desmond's underwater sequence with Charlie. What could have been schmaltzy in lesser hands gave me chills. And Desmond not only played two different versions of himself, but cycled through nearly every human emotion beautifully and convincingly in just over 40 minutes. His beatific expressions with Penny were priceless.

    Is Eloise steering/policing/orchestrating the Sideways timeline from the sideways timeline? Does she have the most to lose if it falls apart? Is Widmore attempting to thwart it from the island timeline -- or are their mutual references to readiness/unreadiness indicative of a mutual plan? Is awareness of the sideways world partially revealed through Losties' momentary lacks of consciousness? Do the Sideways "guides" steering Desmond toward awareness consist exclusively of characters who died at the island? How does it all connect to the Jacob and Nemesis anthropomorphic mythology? I have a couple of theories, but theories have been blown apart every week in this homestretch.

    We crested the hill of the roller coaster. See you in another episode, brutha.

    Posted by Lynn, 09/04/2010 10:30pm (2 years ago)

  • Hey guys, I will record the podcast on Sunday. Usually I try to get it out a bit earlier but it's just worked out that way this week. Good news is you have time to get more comments and (nudge nudge) voicemails in.

    Thanks again for posting. It's a real joy to read all your thoughts and a real honour that you chose to post them here.

    It's pretty funny when you know what I'm going to say before I say it. So this week credit to Brando and Lenni who both had me word for word.

    Thanks everyone :-)

    Posted by The TV Critic, 09/04/2010 10:16pm (2 years ago)

1 2 3 next »

RSS feed for comments on this page | RSS feed for all comments