Crumbs: Reviews » Dramas » Dollhouse » Season 2 » Instinct
Critical reviews of U.S. TV shows
and analysis of what makes them
good, bad, irritating and enlightening.
62
/100

Dollhouse

Dollhouse is a drama about a secret company in Los Angeles who can programme the minds of their young 'Actives' with any personality that a client chooses. FOX 2009-2010

61
/100

Episode 2 - Instinct

28 March 2012

Synopsis: Echo is programmed to be the mother to the child of a man called Nate Jordan. Topher actually triggers lactation and a strong mothering instinct in her. She becomes suspicious of Nate’s behaviour and the strange men in the van outside. She ends up in a police station reporting Nate for trying to kill her. Ballard comes to take her back to the Dollhouse and Topher wipes her. But although the memories are gone, the instinct remains and Echo returns to protect her baby. Meanwhile Adelle calls on Madeline (November) for a diagnostic and Senator Perrin finds more information on Rossum.

The Good: The Echo storyline has a lot more depth and emotion in it than some of her season one escapades. Nate plays his role well, distant and secretive but not unkind or unreasonable. The intriguing part of her story is the logical part. She has been programmed to be an actual wife and mother. So when her husband locks her out of his room and never comes home she assumes he is up to no good. When things become even more serious she goes to the police.

It’s good logical storytelling and explored how an active would behave when faced with such strange behaviour. Her interaction with the female police officer was particularly good. The officer was kind, supportive and firm, seeing the situation for the marital abuse that she must encounter daily. Meanwhile Echo, the stranger who has been parachuted into this grieving family describes Nate as having been “replaced by a stranger” because of the way he is treating her. It’s a rich and well written irony. Echo’s conveys her heart felt distress at losing her baby really well as she is dragged back to the Dollhouse.

Once there we see the important story arc being played out. Topher is excited to have programmed Echo’s body to believe it was a mother, pointing out that he could one day fight cancer with his genius. But the imprint on her body is too strong for his standard wipe and Echo wakes up, devoid of memory but with her instinct intact. It’s the type of science which we know will one day come back to haunt Topher (113) and his indifference to it is pretty chilling. Ballard points out that his thoughtlessness has caused very real pain for Echo to which Topher shrugs and says “live and learn.”

In the end Echo accepts that the feelings aren’t real and agrees to continue in her partnership with Ballard because feeling something is better than being asleep. In terms of moving the overall plot toward the world we glimpsed in Epitaph One (113) this was solid stuff. We can see the motivations of Echo, Ballard and Topher and where that might lead them.

Meanwhile we get to know Senator Perrin a little more. It would seem he was the one in contact with Laurence Dominic and now has a new informant on what Rossum is up to (see The Unknown). Madeline (November) returns for a diagnostic and essentially puts forward the other side of the Dollhouse argument to Ballard. She claims she is happy now, that she traded in her life to get through her grief and now she isn’t sad anymore. It adds to the balance of arguments in favour of what the actives are up to. Along with the help which Echo provided Nate and Topher’s cancer idea, it’s easy to see the seduction which the Dollhouse’s technology offers.

The Bad: Unfortunately the bulk of the episode is spent on Echo and the “client of the week” story which by now most viewers have realised aren’t anything special. This is because we know that Nate and his baby won’t be around next week and so it is difficult to care too much about his story.

It doesn’t help when details become a little hard to believe in. Echo has presumably been given most of Nate’s ex-wife’s memories to make their relationship seem real to her. She even remembers their honeymoon and so when she finds pictures of him with another woman it ought to have destroyed her sense of trust in him completely. How could his explanation make any sense? He claimed that those pictures were from a previous relationship but even glancing at his likely age in them would have made her believe he had been living a double life for years.

It was a nice touch to have Sierra play a friend who would believe she was real. But that does open the can of worms about why she only had one friend, whether she had to use credit cards and whose name they would be in and indeed how long exactly this engagement was going to last. It’s not clear at all how Echo, once wiped, had any memory of where to go to find “her” son. She seemed clueless about how to drive a car, yet was able to cut the power to Nate’s house upon arrival. That scene was absolutely cliché ridden as lightning flashed outside in true cheap horror movie style.

Should Topher really be allowed to offer “upgrades” to normal people? It seems like a ridiculous break from protocol which could get him and the Dollhouse into trouble. A case of comic relief encroaching on logic.

The Unknown: Who is passing files to Senator Perrin. It could be Paul Ballard but he seemed pretty busy here. Could it be the same person who reprogrammed Echo to have a conversation with Ballard (106) last season?

Best Moment: The scene between Echo and the female police officer.

Epilogue: This episode actually does a pretty decent job of developing themes which will take us from the world we know now toward a more dangerous future. But for those who have seen Epitaph One, I suspect this will irritate more than it enlightens. Echo’s one-off stories just don’t have the significance to be truly interesting at the moment.

('DiggThis)

Feedback

Add your comments on this episode below. They may be included in the weekly podcasts.

Post your comment

Comments

  • I agree with Brando and you that the episodic nature of the storylines is a bit tired, but I still feel that the show is hindered because it is trying so hard to be sellable. If it were to become far more involved and complicated, as brando suggests, it would be greatly improved for people like us who like to pour over the details and aprreciate complexity, but it would be so much harder for the show to be watched by the average viewer. Joss Wheadon has had enough great shows cancelled over the years and I feel like he is trying hard to keep the show marketable. The best we can hope for is that the long term arc plot gets enough attention and care that those of us who will watch it everyweek will get to see some real realationship developements and philosophical musings. The show is still trying to find the balance and I for one am happy to keep watching the mediocre stuff in order to find out where Joss wants to take this show. After 3 or 4 seasons(if it gets that far) the fan base would be solid enough to really explore the characters and themes... Anyway, it seems to me that this show is a good example of genius being stiffled for the sake of numbers. Popularity breeds mediocrity, but I think there's enough going on to keep me interrested.

    I really don't respond to Ballards sick puppy routine. He just seems a bit happless and helpless and I'm still not sure what it is that gives him this bond with Echo. I did enjoy the scene with him and Mellie (or November or whatever). For me, his relationship with her has been the only thing that's generated any sympathy for him.

    Posted by The G man, 14/10/2009 3:44pm (3 years ago)

  • Hey Robin,

    First off...great to see you back! Your podcast was sorely missed by me over the summer.

    Secondly, and unfortunately, I was quite as high on this episode as you. I thought this episode was a major drop off from the season premiere, and an unwanted call back to the "client of the week" format (which I know you do mention in your review).

    I'm starting to wonder...would the show be more effective if each season took us on a season long arc of Echo on a long term engagement? I feel like there are depths, complications, and intrigue there that would surpass the client of the week style they have going. And really, that's why I believe Dr. Saunders/Whiskey ended up becoming the show's most fascinating character. We're seeing repurcussions of a doll on a long term engagement (of sorts).

    I know part of the show's intended gimmick is to show doll's in new and interesting scenarios each week...which seems like a good idea on paper, but translated to screen I think it's get tired. I really feel like perhaps it would be more engaging and the stakes would be higher if Echo were on long term engagements which allowed us, as viewers, to become invested in the mission and also the psyche or motives of those who contracted the engagement. To show us the versitility of dolls all they would have to do is show us minor segments or arcs of other characters coming in and out of their engagements with different roles, rather than having our main plot always be that client of the week bit as well. I think it would also raise my interest in Echo and her ability to still feel the other personalities she's been. To this point it's been a running thread since really the first episode of season one and I still really don't care. At some point the hamfistedness of showing us this consequence needs to stop, and there need to be some actual repurcussions that matter. Otherwise it feels like the same old thing every time.

    I agree with you 100%, though (though I think it may be in you review of the season 2 premiere), Echo and Ballard are regrettably the show's least interesting characters.

    Keep up the great work!

    -Brando

    Posted by Brando from the Cinemaphiles, 07/10/2009 3:01pm (3 years ago)

RSS feed for comments on this page | RSS feed for all comments