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Dollhouse

Dollhouse is a drama about a secret company in Los Angeles who can programme the minds of their young 'Actives' with any personality that a client chooses. FOX 2009-2010

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Episode 12 - The Hollow Man

28 March 2012

 

Synopsis: Boyd drugs Caroline so she won’t reveal his identity and he insists they all head to Tucson. They walk in the front door and are locked up by Saunders whose body is now inhabited by Clyde Randplph. Boyd breaks them out of their cell and leads Topher to a room where they are weaponising his tech. Topher helps finish the weapon and then the truth about Boyd is revealed by Caroline. Mellie and Paul are about to damage the mainframe when Boyd activates her sleeper protocol and she kills herself to save Paul. Eventually Victor and Sierra arrive to save the day and Topher wipes Boyd. Caroline leaves him to blow himself and Rossum’s lab to pieces. But ten years later the apocalypse has still come.

The Good: Credit to the writing, Caroline’s storyline is finally clear after this episode. It was a little unclear after season one how she had been captured by Rossum and what Adelle’s involvement in that was and indeed why they didn’t just kill this irritant. Now we know that Boyd’s special interest in her came because by fighting off imprints her DNA showed the way for humanity to survive the imprinting process and avoid complete destruction.

Boyd certainly appeared as much more than the typical clichéd bad guy. He seemed like the ultimate pragmatist when he calmly explained that the technology to wipe people now existed and therefore it was better to roll with it than to try and roll it back. It’s not a sentiment that different from those who argue similar things about global warming. He wasn’t cackling hysterically about world domination, he was talking about survival. His affection for his “friends” was also an interesting twist. Rather than claim he faked his friendships with Echo, Topher and Adelle, instead he embraced them. He had genuine warm feelings about them despite manipulating them and lying to them. When he thanked Topher for confiding in him, it was easy to believe that he meant it.

Topher’s explanation of how the new wiping tech worked fitted exactly with what he babbled in the scene in Epitaph One where Adelle comforted him as the guilt had driven him into a kind of psychosis. I also liked Topher’s surprise at Boyd being able to unlock doors. That is one of those little touches which can add a lot of realism to the kind of scenes we have all seen a hundred times now.

The Bad: But overall this episode was a letdown. Once more it all felt rushed and far too easy. Inevitable issues, perhaps, with the imminent cancellation of the show. But despite Boyd avoiding the clichés in some ways, he couldn’t in others.

The biggest problem is a basic one. Where are the security guards? If Boyd really wants to protect his technology then those guards should have been waiting behind every door. It made no sense for him or Clyde to resort to fist fights with their enemies. They both should have pushed a button and rushed in dozens of guards to do their dirty work. When Paul and Victor can knock guards out and wander around the HQ of this company it makes them seem incompetent. Incompetent to the point where viewers know the writers are to blame and not Boyd.

Then there was Mellie breaking her programming to kill herself. It sounds like a noble death but it’s more stupid than that. This is the umpteenth time a doll has broken from their programming this season. We now know how Echo could do it but Mellie shouldn’t be able to and her death was soured for me by again the cliché of her being able to fight back at the very last moment and save Paul.

Topher and Adelle having a comedy argument about what to name the apocalypse was not good. In a way it was the perfect example of why the humour never really landed in Dollhouse. There’s a reason people don’t make holocaust jokes and to make jokes about the impending apocalypse is just the wrong tone altogether.

The final logic hole was Paul and Caroline thinking for one moment that they had saved the world. At the start of the episode Boyd claimed there was a Rossum lab in every city in the world. And we already knew that there were Dollhouses in all the major cities. So quite how they thought their work was done I don’t know. Caroline’s run out of the building being chased by the explosions was another huge cliché and completely unnecessary. Why not just tell Boyd to count to a thousand? There was no rush.

Amy Acker (Saunders) didn’t really have a chance to do much as Clyde. Nor did Victor getting to play Topher again do much to aid the story.

The Unknown: What happens next? Presumably Boyd had his personality stowed away to be loaded into another body?

Best Moment: Boyd thanking Topher for confiding in him was an unexpected moment. It had depth to it and went against the grain of clichés which was nice.

Epilogue: I think my issue with this episode is the same issue I have with practically every show that deals with a huge conspiracy. It shouldn’t be this easy to take down the big bad guys. It should be a brutal struggle and this felt too simple. Far too simple. This didn’t feel like it had much resolution either. We didn’t learn enough about Boyd to feel like we understood his true motivations. We didn’t spend much time with Caroline to see her as a different person from Echo. I imagine Epitaph Two will give a broader sweep to events which may end up feeling a lot more satisfying but this “penultimate finale” left a lot to be desired.

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  • Good point about needing no security around to allow Topher to do his work. But I think he did send guards after Victor and Sierra. When Victor comes out of the chair he knocks out two guards with his new skills. He comments that someone must have sent the guards back to get them. Which means that whoever was in charge of those guards should have reported in to say they were not responding to calls and most likely had been attacked.

    Posted by The TV Critic, 31/01/2010 11:03am (2 years ago)

  • Actually I don't think the security guard issue is the plot hole. I think the real plot hole is when Topher told Boyd he had a backup and that Victor and Sierra were coming. Boyd completely forgot about Victor and Sierra. Boyd's plan would have been a success otherwise. He didn't have a lot of security guards because he needed to trick Topher into making the weapon. No one would have saved Echo from having her spine sucked or saved Adelle and Topher from capture. Echo wouldn't have had the chance to fight Clyde or Boyd. BUT since Topher did tell Boyd, it makes no sense that Boyd wouldn't have ordered more guards/done something to stop Sierra and Victor from ruining his plan. It's really frustrating because that's an easy plot hole to fix. Just don't have Topher tell Boyd that piece of information and it would have made so much more sense how the good guys won.

    It's also funny how ridiculous Mellie breaking her programming was in this episode because Echo tried to do that with Amy Acker and it didn't work. However, I guess you can say that if Mellie were to "break her programming" it would make the most sense in that situation because she was also programmed at that time to love Paul...so there were 2 programs at once going on that could have messed with each other. I still think it was ridiculous anyway.

    Anyway...you notice how each season of Dollhouse has a similar structure? A bunch of stand alone episodes at first, then the season gets better with the story and then ends with an Epitaph of the future? I wonder if the structure was meant like that...Well anway, despite its problems, I at least liked this episode more than I liked Omega (the other "finale" before the Epitaph).

    Posted by Charles Lin, 30/01/2010 4:48pm (2 years ago)

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